LO LUNDGREN

PETER
Director: Sixten Degerman

Picture: Elin Aydin

ACWUH Productions

In the quiet repetition of brushing their teeth, two people share a fleeting moment of everyday intimacy. As time stretches, the mundane becomes strange, revealing the choreography, distance, and connection hidden within a simple domestic ritual.

THE WHITE MAN & ADAM
ACWUH Productions, 2026

R.O.A.D.S. is a solo performance where a live actor confronts a filmed double projected behind him. What begins as a dialogue turns into the portrait of a body coming apart, trapped between command, memory and inner noise.

The work moves through repetition, rupture and unstable states rather than linear story. The screen becomes an unreliable room, shifting between comfort, absurdity and violence. It instructs, interrupts and tests the body until obedience replaces meaning.

Dark, satirical and unsettling, R.O.A.D.S. explores how power enters the mind, how contradiction becomes normal, and how violence becomes visible only after it has already been internalized.

Mohawk Man
Lilith Artist Duo

Rebellious individualism, compliant group belonging and collective grief processing are examined in the interactive performance Game Changer. Actors and visitors move in an uncertain borderland, in a dim club environment, all reverently dressed in de-identified hoods with carnivalistic feathers. The longing for intimacy, comfort and fulfillment is tested and processed through gestures, rites, dances and impulses. A group of actors and dancers follow a predetermined choreography, sometimes individually or sometimes in a group. A ten-year-old girl leads the game and occasionally moves the audience and actors around the room. The work dissolves and shifts the boundaries between visitor and actor as each visitor chooses how they participate.

Carrier
Lilith Artist Duo – OpenArt Örebro,  Alma Löv Museum

The performance follows a procession carrying an oversized arm while performing ritual tributes to the physical and psychological variations and imperfections of our bodies.

Jydens Hjælper
Solid Entertainment AB / Snowglobefilm, 2025

The conclusion of Anders Refn’s historical trilogy about the Second World War. The film portrays Denmark’s division after the liberation in 1945, as Karl Skov’s family must face the consequences of his collaboration with the Germans during the harsh post-war legal reckoning, while members of the resistance struggle with the disillusionment of the post-war period.

EMIL
Director: Lisa Sander

Lilith Performance Studio, Moomsteatern

The audience is invited to wander freely in what is described as a spiritual fight club,
where exercises in being human are taking place. A mental middle ground free from logical progressions and evaluative judgments.

The form was like a living exhibition, without interaction,
where you could stay as long as you wanted, without beginning or end.

Glitter falls over a Colosseum that examines what the soul can do, what the body can do,
what the voice can do. From open mouths rises a chorus of trembling notes. Soundless laughter. Screams that fall silent. Violent crying.The flow of events that goes in and out of each other triggers images of ritualistic attempts to let oneself go: to be a sound, to be a movement, to be still.
To stand in front of others and fall apart. To stand in front of others and shine.

Lilith Performance Studio, Lilith Artist Duo, Orionteatern

is a state of being in the gap between a before and an after, the crisis or the ecstasy. The individual’s desire for devastation and rebirth is examined in relation to the collective’s need for ritual intimacy and care. As a slash-and-burn agriculture, all that is old has been burned in order to access something new.

We carefully move in the crevices between erotic dreams and a crumbling reality. The subconscious has taken the form of a new nature, a barren mountain landscape that sticks to the soles of the feet. A group of people involuntarily manage the transformation stages of a living organism. With an inexhaustible desire, the choir sings of redemption in total pleasure. Events and temporalities unfold side by side, intertwined and without time.

Artist: Adèle Essle Ziess, Lilith Perfromance Studio

A person hangs from a system of ropes and blocks where body parts are connected to leaking buckets of water. Three people together control the movements of the hanging body by filling and emptying the buckets with water. The weight of the body is distributed and redistributed between the different body parts where dramatic tipping points can occur from small adjustments.

Henrik Lund Jørgensen – Lilith Performance Studio

The performance takes a small group of visitors on a walk through long corridors, in and out of several rooms inhabited by different characters unfolding different parts of their story meeting or reflecting on ”The man without memory”. The constructions are detailed 1:1 copies of both existing and demolished buildings in a different part of Malmö, an old closed down cement factory in Limhamn, Malmö and a former hotel / refugee camp – Arlöv Park Hotel were the ”The man without memory” stayed during his time in Sweden.